Plot (From Netflix)
When the bodies of several dead swimmers and divers begin washing ashore, a seaside town is thrown into a panic. A giant octopus is responsible, and Dr. Ned Turner (John Huston) thinks that its appearance may be related to the construction of an undersea tunnel. And even though an upcoming sailing competition may endanger the lives of countless people, local authorities are hesitant to keep anyone out of the water.
I'm glad I got this one over with first. It was wretched and I felt pity for the once great actors who starred in it – Shelly Winters, John Huston and Henry Fonda. The dialog between Winters and Huston and Fonda was actually quit good but you will notice a precipitous drop in acting ability for the rest of the cast. The monster? Well, you need a lot of imagination to overcome the few seconds it is shown as either stock footage of a real octopus or a piece of tentacle. When the octopus was present you had to assume it killed the victim when he or she disappears beneath the water. The protagonist was Will Gleason (Bo Hopkins) who owns or maybe works for a sea world type venue that includes two killer whales. I'm not sure but the movies degrades further when Will ask his whales to hunt down the octopus. I know whales are smart but this is a stretch. At the movies' climax Will is trapped underwater as the octopus closes in but is saved by the killer whales. This scene looks like someone used rubber whales to poke at a real octopus. A dismembered tentacle tells you the octopus was killed. Since the octopus looks as big as the rubber whales you must assume it was gigantic.
Rating: Don't bother watching unless you like Farah Fawcett hairstyles and late 70's action music.
Plot (From Netflix)
After research scientist Dr. Sands (Eric Roberts) and his daughter, Nicole (Sara Malakul Lane), develop an electrical-implant-controlled hybrid shark/octopus for use by the government as a classified naval weapon, the creature breaks down and goes on a homicidal spree. As the animal chomps its way through the resort beaches of Mexico, Dr. Sands tries to convince a retired colleague to help him and Nicole stop the carnage.
I saw this in Colorado with my friends Rob and Sue and annoyed her by critiquing the eating habits of the monster. A thin, tired plot and overused computer graphics. This movie gets points for showing the monster frequently and in its entirety as it gobbled down most of the cast plus extras. You have to admire the cheesiness of blood splatter on the camera lens. The final scenes leading to the demise of the monster was tedious as you wondered why Sharktopus didn't immediately eat the hero like everyone else. Dr. Sands is portrayed as a scientist that doesn't care how many people are killed by the monster so long as he has a chance to capture it. Thus you know he's a goner. Also, you'd think that after spending millions combining a shark and octopus that Dr. Sands shouldn't have skimped on securing the gadget that controlled the behavior of the monster. It was knocked off by a propeller from its position on top of the head. Why wasn't it implanted near the brain with only an antenna sticking out of the skull?
Rating: Barely worth seeing once and that is why I'm not giving away the ending.
YOG – MONSTER FROM OUTER SPACE
Plot (From Wikipedia)
A space probe, dubbed Helios 7, is sent to study Jupiter. En Route to the planet, the probe is invaded by Yog, an extraterrestrial being of pure energy. The probe lands in the South Pacific, where the disembodied alien leaves the device and invades the body of a Gezora, a giant cuttlefish, which proceeds to wreak havoc. When a photographer named Kudo and a small entourage landed on Selga Island, they are likewise menaced by Gezora.
This movie is not distributed by Netflix although the director, Ishirō Honda', has many available movies starring Godzilla and a host of other monsters. It is for sale on Amazon and I expect to receive it in a week. Nevertheless I have fond memories when I last saw it in 1970 and will go on what I remember as a 10 year old. I include it because the giant cuttlefish (close enough to an octopus) is the dominant monster. Yog also inhabits a giant crab and giant turtle. Giant animals are always around in the ocean in Honda's movies. Some say this movie was evidence that Mr. Honda had lost his creativity; that his great monster movie days were behind him. I say rubbish. It was ingenious to come up with bat sonar as the disrupter of Yogs' control over the animals. Classic Godzilla-like destruction and the sound track compliment and heighten the edge-of-your-seat action. Selga Island must be in the same region of Monster Island where Godzilla, Rodan, and Mothra live.
Rating: A must see movie. One wonders why the quality of monster movies dipped in the late 70's (Tentacles). Then again all cultural media seemed to bomb after Disco became popular. Originally titled "Space Amoeba".
MEGASHARK VS GIANT OCTOPUS
Plot (From Netflix)
After a series of mysterious disasters occurs in the Pacific, from the disappearance of a plane to the destruction of an oil rig, a group of scientists discovers that a secret military mission has unearthed a prehistoric shark and a giant octopus. When the government learns of the existence of the menacing beasts, the team of scientists is tasked with formulating a plan to destroy the phenomenal creatures. Lorenzo Lamas and Deborah Gibson star.
I awaited the viewing of this movie with much anticipation. I don't' know if it was ever shown in a movie theater but it was a Youtube sensation. There is only three ways to get a giant shark or octopus or a combination – manmade experiment (radiation or laboratory), alien body invasion or creation of nature. The latter was used for this movie and ripped off from a Godzilla movie or two because he to was frozen in ice. You cannot take this movie serious. There are so many gaps and horrible acting that it is a must-see event for a crowd of intoxicated people. Deborah Gibson (formerly Debbie Gibson of 70's pop fame and still looks great!) is the heroine. She is exploring in a mini sub in what I assume is the Arctic Ocean even though the stock video shows manta rays and hammerhead sharks. As she and her portly navigator (gone after the first 20 minutes of the movie) follow a pod of humpback whales when an illegal Low Frequency Action Sonar Device (her words) is dropped by a helicopter that must be working for the United States Military. Maybe. This device screws up the sonar calls of the whales and somehow emits the right ice-cracking frequency to unlock the giant shark and octopus from their iceberg prison. That's where they somehow froze together while in mortal combat with each other 80 millions years ago. The shark was determined to be a prehistoric megalodon. In reality it is at most 50 ft long. For this movie it is the size of a submarine, can withstand artillery shells and jump 2000 feet in the air to snatch an airliner. Awesome! Too much to talk about. There's also a 30 second love scene between Gibson and her lab geek coworker. After they are finished they figure out how to lure in the shark and octopus. The Geeks shall inherit the Earth! The silliness peaks in the last 20 minutes. Lorenzo Lamos also stars as a CIA(?) Operative that needs to keep the monster's presence a secret.
Umm... Someone needs a girlfriend.
Although more horror than monster film, check out 'Grizzly Park' filmed in the Appalachia. Rob G from GJ, CO
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